Showing posts with label analog. Show all posts
Showing posts with label analog. Show all posts

Friday, December 13, 2013

Morgan Higby-Flowers


"My interests circulate around particular spectrums in newmedia art, specifically work that incorporates discarded technologies. My sensibility tends to pursues encounters with wonderment & visual representations of new deformations." - Morgan Higby-Flowers. See more;


2013-08-13 at PM 03.49.33, 2013




PixelJAM2013_mrgn_hgby-flwrs, 2013



output [of] no-input system studio performance (long), 2010



notha, 2010



Movie 5, 2010


thanks for the tip, Chris Shier

Thursday, September 19, 2013

Ed Leckie



Ed Leckie is one half of the team behind LZX Industries, he made this colorful Weavings #1 featuring some great gradients and transitions. It was created using some LZX patches. See more;


Thursday, September 5, 2013

Two Boxes at Once



"Two Boxes at Once, 1979,  is an example of early computer graphics animation on the Datamax UV-1, developed by students at the Electronic Visualization Lab. This animation was created by Mark McKernin". See more;



Wednesday, August 28, 2013

Jennifer Juniper Stratford



Three great video works by Jennifer Juniper Stratford, who experiments with video using obsolete television studio equipment, analog mixers, and video synthesizers which are often mixed with modern computers in search of making new discoveries in the potential of media, as Jennifer describes. See more;


ChronOproject, 2013
Music by AFM Magician




TYPICAL MAN ON BEACH, 2013
Music by Sorcerer




MICROCHIP REVOLUTION, 2013




Tuesday, August 27, 2013

International Teletext Art Festival 2013


Black & White by LIA

International Teletext Art Festival 2013 will end next September 15, it's being displayed in Berlin at ARD Hauptstadtstudiohttp://www.ard-hauptstadtstudio.de/ exhibition space, but it can be seen also though original teletext pages such as in ARD Text from page 850, ORF TELETEXT from page 470 and SWISS TELETEXT pages 750-764 on SRF 1, RTS 1 and RSI 1.
ITAF includes this year great works from Max Capacity, Cordula Ditz, Daniel Egg, Dragan Espenschied, Dan Farrimond, Goto80, Kathrin Günter, Juha van Ingen, Manuel Knapp, John Lawrence, Marc Lee, LIA, Raquel Meyers, Seppo Renvall, Jarkko Räsänen and UBERMORGEN, and a jury formed by Paul B. Davis, Voin de Voin and Rosa Menkman.
Into the post there are only two geometric and abstract based series I like from LIA and Juha van Ingen, but check out all the works at www.teletextart.com. See more;

"Considering that teletext has been used by millions of people daily during its 40 years of existence, it has so far remained a relatively unexplored territory for artistic creation. Ever since it was launched by the BBC in 1973, there have been several serious efforts to open up teletext for art but even if teletext has had a steady stream of fans within the artistic community, including some well-known names such as the Jodi artist collective, it has never gained the status it deserves as an art form. Now that High Definition has become established as a standard and the race towards crisp images has slowed down, a growing number of artists have returned to the basic structures of electronic art. This can be seen as the main reason for the revival of teletext in this context. Other phenomena explaining the sudden interest in teletext art, especially among young artists, is the retro factor. The minimal aesthetics and limited technical possibilities make teletext a unique medium and also an interesting challenge for artists: To make teletext pages a specific file format and editor are needed. A teletext page can be perceived as a grid of 24 rows and 40 columns. To change the colours of the graphics, text and background or to add a blink effect, a control character needs to be inserted. Each time a control character is placed it uses up one space in the grid, which then appears black. The artworks can be viewed with teletext editors or made into animated images but the true forum for teletext art is of course teletext itself. A group of experts (Paul B. Davis, Voin de Voin and Rosa Menkman) will select one of the participating artists to receive the Teletext Art Prize.You too can vote for your favourite artwork by SENDING A POSTCARD more info about voting here.

The festival opens on August 15th in Berlin at the ARD Hauptstadtstudio exhibition space were the ITAF works will be displayed untill the 15th September and continues in Filmkunstbar Fitzcarraldo with some program. The following day ITAF continues with a Teletext Cocktailparty in Musterzimmer Showroom for Contemporary Art. > info on opening program, schedule and locations ITAF2013 will also be in the program of Ars Electronica Festival , Linz, Austria, 5.9.-9.9.2013

The International Teletext Art Festival is a FixC cooperative project www.fixc.fi made in collaboration with ARD Text www.ard-text.de, ORF TELETEXT teletext.orf.at and Swiss TXT www.teletext.ch." - www.teletextart.com.


Black & White by LIA

"In the five works that LIA created for the teletext art festival she uses the single pixel as basic building blocks. The images play on the one hand with the idea of algorithms, by varying the distances between lines and pixels following algorithmically defined patterns; and on the other hand with the intense contrast between black and white elements demanded by the limitations of the technology. In four of the five works the teletext "flash" command is used to provide a hierarchical order of the elements without using animation as such. A clear boundary is formed between the permanent (static) and impermanent (dynamic) elements; this boundary appears and disappears as the blinking effect plays out. If the entire image were always visible, ie if there was no blink effect, the dynamic elements would be lost amongst the static elements."







The Tale of Tomorrow by Juha van Ingen

The work by Juha van Ingen for ITAF2013 was inspired by 'Sunset' a painting by J.M.W. Turner


via | Rhizome

Thursday, August 22, 2013

Don Slepian



Don Slepian made Sunflower Geranium in 1983 a video compilation of live performances showing different visual effects created through a custom array of specialized hardware and software to mix synthesized video imagery and original electronic music for a live audience. One of my favorite parts of Sunflower Geranium is at the end where there are several short animations working through pixel based geometric shapes, Slepian explains to Rhizome how he produced them; "is the output of one of my original CEEMAC scores in which I attempt to create texture and dimension using diffraction patterns and chroma shifting. In Apple II "Hi-Res" mode I was working with a 280px by 192px screen, 57 thousand pixels in all. A far cry from the 2.0736 million pixels we take for granted in standard 1080p video frames.
Into the post you can see these short animations as animated GIFs but I highly recommend to watch the whole piece and read an interesting interview with Don Slepian about the process of at Rhizome. See more;




Tuesday, July 16, 2013

Scans by Bruno Levy



Interesting digital scans made over reflective surfaces such as aluminium wrap and plastic wrap created by Bruno Levy who moved the surfaces during the scanning process in order to capture the analogue distortion. See more;

POLYVINYLIDENE CHLORIDE / scans, 2013




ALUMINUM / scans, 2013



Thursday, July 11, 2013

Modulated Horizontal Lines



Modulated Horizontal Lines, 1976 by Dean Winkler and Chris Lambiase, music by Terry Riley. It was created in real time using an RE-4 Rutt/Etra analog video synthesizer. See more;