As beautiful as simple, All jQuery effects using the settings from the examples at jquery.com, one after another. Made by Sebastian Schmieg in 2012. See more;
All jQuery effects > http://sebastianschmieg.com/alljqueryeffects
Showing posts with label MONOCHROMATIC. Show all posts
Showing posts with label MONOCHROMATIC. Show all posts
Tuesday, November 19, 2013
All jQuery effects by Sebastian Schmieg
As beautiful as simple, All jQuery effects using the settings from the examples at jquery.com, one after another. Made by Sebastian Schmieg in 2012. See more;
All jQuery effects > http://sebastianschmieg.com/alljqueryeffects
Thursday, September 19, 2013
Computer Graphics & Art
Computer Graphics & Art was an excellent quarterly publication highly focused in computer graphics and computer artists who were using and experimenting with this media back in the 70's. It was produced in Chico, CA and published by Berkeley Enterprises Inc. The magazine worked for only 3 years, the time for publishing 12 great issues from 1976 to 1978. Each magazine has around 35 pages including essays, several illustrations from works and studies and descriptions from different artists such as Manfred Mohr.
"COMPUTER GRAPHICS & ART is a new international quarterly of interdisciplinary computer graphics for graphics people and computer artists. This new periodical is aimed at students, teachers, people from undergraduate and graduate institutions, researchers, and individuals working professionally in graphics. Its topical coverage is broad, embracing a variety of fields. It is useful, informative, entertaining, and current."
compArt daDA, the database Digital Art, made a great research job compiling 11 issues of Computer Graphics & Art in good quality PDFs which can be downloaded here. There's only missing the first issue VOL1 Nº1 which probably was published on February 1976, if someone knows anything about that first issue it would be great to complete the whole publication, let us know please! See more;
Computer Graphics & Art - May 1976
Artists featured: Georg Nees, Charles "Chuck" Csuri, Zdeněk Sýkora, Herbert W. Franke, Ken Knowlton, Edward Zajec, Roger Vilder, Thomas Michael Stephens
Computer Graphics & Art - August 1976
Artists featured: Gerhard F. Kammerer
Computer Graphics & Art - November 1976
Artists featured: Manfred Mohr, Frieder Nake, Herbert W. Franke
Computer Graphics & Art - February 1977
Artists featured: Vera Molnar, Lillian F. Schwartz, Otto Beckmann
Computer Graphics & Art - May 1977
Artists featured: Ken Knowlton, James Ver Hague, Kerry Jones
Computer Graphics & Art - August 1977
Artists featured: Herbert W. Franke, Edward Zajec, Vladimir Bonačić, Grace C. Hertlein, José Luis Alexanco, Matsuko K. Sasaki
Computer Graphics & Art - November 1977
Artists featured: A. Michael Noll, Vladimir Bonačić, Grace C. Hertlein
Computer Graphics & Art - February 1978
[PDF]
Computer Graphics & Art - May 1978
Computer Graphics & Art - August 1978
Artists featured: Goran Sundqvist
Computer Graphics & Art - November 1978
[PDF]
Thanks for the tip to Alexander Lis
Thursday, September 5, 2013
Two Boxes at Once
"Two Boxes at Once, 1979, is an example of early computer graphics animation on the Datamax UV-1, developed by students at the Electronic Visualization Lab. This animation was created by Mark McKernin". See more;
Tuesday, August 27, 2013
Pablo Valbuena
Two new works by Pablo Valbuena who has always kept one of the cleanest minimalist style working through videoprojection on architecture, recently Pablo made time tilings [stuk] consisting in four site-specific interventions at Artefact festival in STUK Kunstencentrum. Leuven, 2013.
The other new work called chrono-graphy [max estrella 2013-2010] is a site and time specific project using black paint on walls, floors and ceilings at Max Estrella Gallery in Madrid, 2013. See more;
time tilings [stuk], 2013
"Architecture is judged by eyes that see, by the head that turns, and the legs that walk. Architecture is not a synchronic phenomenon but a successive one, made up of pictures adding themselves one to the other, following each other in time and space, like music."
chrono-graphy [max estrella 2013-2010]
chrono- : time (from gr. khronos)
-graphy : process of writing, drawing, representing or recording (from gr. graphia)
"The outlines of the works presented in previous exhibitions are drawn on the surfaces of the gallery, visualizing the memory of the space and shaping a time-based cartography."
International Teletext Art Festival 2013
Black & White by LIA
International Teletext Art Festival 2013 will end next September 15, it's being displayed in Berlin at ARD Hauptstadtstudiohttp://www.ard-hauptstadtstudio.de/ exhibition space, but it can be seen also though original teletext pages such as in ARD Text from page 850, ORF TELETEXT from page 470 and SWISS TELETEXT pages 750-764 on SRF 1, RTS 1 and RSI 1.
ITAF includes this year great works from Max Capacity, Cordula Ditz, Daniel Egg, Dragan Espenschied, Dan Farrimond, Goto80, Kathrin Günter, Juha van Ingen, Manuel Knapp, John Lawrence, Marc Lee, LIA, Raquel Meyers, Seppo Renvall, Jarkko Räsänen and UBERMORGEN, and a jury formed by Paul B. Davis, Voin de Voin and Rosa Menkman.
Into the post there are only two geometric and abstract based series I like from LIA and Juha van Ingen, but check out all the works at www.teletextart.com. See more;
"Considering that teletext has been used by millions of people daily during its 40 years of existence, it has so far remained a relatively unexplored territory for artistic creation. Ever since it was launched by the BBC in 1973, there have been several serious efforts to open up teletext for art but even if teletext has had a steady stream of fans within the artistic community, including some well-known names such as the Jodi artist collective, it has never gained the status it deserves as an art form. Now that High Definition has become established as a standard and the race towards crisp images has slowed down, a growing number of artists have returned to the basic structures of electronic art. This can be seen as the main reason for the revival of teletext in this context. Other phenomena explaining the sudden interest in teletext art, especially among young artists, is the retro factor. The minimal aesthetics and limited technical possibilities make teletext a unique medium and also an interesting challenge for artists: To make teletext pages a specific file format and editor are needed. A teletext page can be perceived as a grid of 24 rows and 40 columns. To change the colours of the graphics, text and background or to add a blink effect, a control character needs to be inserted. Each time a control character is placed it uses up one space in the grid, which then appears black. The artworks can be viewed with teletext editors or made into animated images but the true forum for teletext art is of course teletext itself. A group of experts (Paul B. Davis, Voin de Voin and Rosa Menkman) will select one of the participating artists to receive the Teletext Art Prize.You too can vote for your favourite artwork by SENDING A POSTCARD more info about voting here.
The festival opens on August 15th in Berlin at the ARD Hauptstadtstudio exhibition space were the ITAF works will be displayed untill the 15th September and continues in Filmkunstbar Fitzcarraldo with some program. The following day ITAF continues with a Teletext Cocktailparty in Musterzimmer Showroom for Contemporary Art. > info on opening program, schedule and locations ITAF2013 will also be in the program of Ars Electronica Festival , Linz, Austria, 5.9.-9.9.2013
The International Teletext Art Festival is a FixC cooperative project www.fixc.fi made in collaboration with ARD Text www.ard-text.de, ORF TELETEXT teletext.orf.at and Swiss TXT www.teletext.ch." - www.teletextart.com.
Black & White by LIA
"In the five works that LIA created for the teletext art festival she uses the single pixel as basic building blocks. The images play on the one hand with the idea of algorithms, by varying the distances between lines and pixels following algorithmically defined patterns; and on the other hand with the intense contrast between black and white elements demanded by the limitations of the technology. In four of the five works the teletext "flash" command is used to provide a hierarchical order of the elements without using animation as such. A clear boundary is formed between the permanent (static) and impermanent (dynamic) elements; this boundary appears and disappears as the blinking effect plays out. If the entire image were always visible, ie if there was no blink effect, the dynamic elements would be lost amongst the static elements."
The Tale of Tomorrow by Juha van Ingen
The work by Juha van Ingen for ITAF2013 was inspired by 'Sunset' a painting by J.M.W. Turner
via | Rhizome
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