STAAT-RANDOM XI, 2008.
Jorinde Voigt nació en 1977 en Frankfurt am Main. En 2002 empezó a desarrollar y plasmar sobre el papel estos impresionantes dibujos conceptuales. En ellos constan miles de datos, anotaciones y resultados que hacen referencia a las múltiples facetas por las que han traspasado sus proyectos; trabajos de fotografía, performances, e instalaciones. En uno de sus primeros dibujos Voigt estaba buscando una manera de escribir viva y dinámica (está claro que lo encontró). Ver más dentro del post;
English info after the jump;
Jorinde Voigt (born in 1977 in Frankfurt am Main) has been developing conceptual drawings on paper since 2002, referring to them as notations and scores, and which form the core of her multi-faceted oeuvre consisting of photo works, performances, objects and (sound) installations. In her, for the most part, oversized notations, Voigt constructs an ordering system, as complex as it is individual, in order to survey invisible processes in our present day. Whereas in her early drawings Voigt was searching for a way of writing that reacted as dynamically and lively as reality itself, the most recent drawings represent a reduced writing system of drawing-like codes. (Info via re-title / Lisa Sintermann)
BEAT, 2009.
SYMPHONIC AREA, 2009.
STAAT-RANDOM I, 2008.
STAAT-RANDOM II, 2008.
STAAT-RANDOM VI, 2008.
STAAT-RANDOM V, 2008.
STAAT-RANDOM X, 2008.
Umkehrung Lichtbogen – Quadrat, 2007.
Konstellation Algorithmus Adlerflug 100 Adler, 2007.
3240 Adler, Top 80 Popsongs, 2006.
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